But though I have come to a point where the problem of a Utopia has resolved itself very simply into the problem of government and direction, I find I have not brought the botanist with me. Frankly he cannot think so steadily onward as I can. I feel to think, he thinks to feel. It is I and my kind that have the wider range, because we can be impersonal as well as personal. We can escape ourselves. In general terms, at least, I understand him, but he does not understand me in any way at all. He thinks me an incomprehensible brute because his obsession is merely one of my incidental interests, and wherever my reasoning ceases to be explicit and full, the slightest ellipsis, the most transitory digression, he evades me and is back at himself again. He may have a personal liking for me, though I doubt it, but also he hates me pretty distinctly, because of this bias he cannot understand. My philosophical insistence that things shall be reasonable and hang together, that what can be explained shall be explained, and that what can be done by calculation and certain methods shall not be left to chance, he loathes. He just wants adventurously to feel. He wants to feel the sunset, and he thinks that on the whole he would feel it better if he had not been taught the sun was about ninety-two million miles away. He wants to feel free and strong, and he would rather feel so than be so. He does not want to accomplish great things, but to have dazzling things occur to him. He does not know that there are feelings also up in the clear air of the philosophic mountains, in the long ascents of effort and design. He does not know that thought itself is only a finer sort of feeling than his—good hock to the mixed gin, porter and treacle of his emotions, a perception of similitudes and oppositions that carries even thrills. And naturally he broods on the source of all his most copious feelings and emotions, women, and particularly upon the woman who has most made him feel. He forces me also to that.
相关影视:疯狂的代价电影